Empfindungslandschaft 5

from Kiki Feltzinger

Height	42 cm
Width	29 cm
Length/Depth	0.1 cm

€220.00*

Prices incl. VAT and shipping costs

Description

In der Serie Empfindungslandschaften untersucht Kiki Felzinger innere Zustände als topografische Räume.

Farbflächen, Linien und Überlagerungen folgen nicht der äußeren Realität, sondern der Spur von Empfindung und Erinnerung. Die Arbeiten bewegen sich zwischen Zeichnung, Malerei und Druckgrafik und halten Momente von Verletzlichkeit, Verdichtung und Öffnung fest.

Über mehrere Monate hinweg entstanden, sind sie als Einladung zum Innehalten gedacht: Das Auge darf sich in den vielschichtigen Strukturen verlieren, an inneren Ruheorten verweilen und Trost finden.

Statt zu konfrontieren, suchen diese Bilder Geborgenheit zu schenken – Momente von Ruhe, Genuss und stiller Sicherheit in einer aufgewühlten Zeit.

Jede Arbeit wird inklusive Echtheitszertifikat und Signatur auf der Rückseite verkauft.

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Each work of art is shipped with a certificate of authenticity

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Kristina Felzinger

My name is Kiki Felzinger, and I am a fine art student at the Berlin University of the Arts. My painting emerges from a struggle with identity – not as a promise of perfection, but as an invitation to endure what is already there: the ugly, the tragic, the tenacious. Over the course of months, I layer paint, strip back canvases and paint over traces until a resistance becomes palpable in the material. Within this structure, human-like figures, landscapes, unfamiliar vegetation and cactus-like formations emerge. One point anchors the real, the next eludes it. This deliberate friction between figuration and abstraction reflects a time in which society’s encounter with itself takes place under conditions of crisis: entanglement, invisibilisation, the loss of footing – alone and yet amongst people.

A formative experience is the contrast between Transnistria and East Germany: the echo of a pig’s squeal carrying across villages; harshness and voids seeping into the colours. From this balancing act, images emerge that open up an in-between space in which waiting becomes possible: pausing, not correcting. I am less interested in who we ‘want to be’ than in how we actually behave – often more instinctively, more animalistically, than our self-image allows. My works are not solutions, but touchstones for authenticity. They ask whether we should not first take three steps back in order to practise common ground and acceptance – before we move on.

Over the past few years, I have carried out a wide range of projects – from solo and group exhibitions to educational workshop formats – and gained initial experience of securing funding.

2025Group exhibition