Empfindungslandschaft 5

from Kiki Feltzinger

Height	42 cm
Width	29 cm
Length/Depth	0.1 cm

€220.00*

Prices incl. VAT and shipping costs

Description

In the series *Landscapes of Sensation*, Kiki Felzinger explores inner states as topographical spaces.

Patches of colour, lines and overlays do not follow external reality, but rather the trail of sensation and memory. The works straddle the boundaries between drawing, painting and printmaking, capturing moments of vulnerability, intensity and openness.

Created over a period of several months, they are intended as an invitation to pause: the eye is free to lose itself in the multi-layered structures, to linger in inner havens of peace and to find solace.

Rather than confronting the viewer, these images seek to offer a sense of security – moments of tranquillity, enjoyment and quiet reassurance in turbulent times.

Each work is sold with a certificate of authenticity and is signed on the reverse.

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Each work of art is shipped with a certificate of authenticity

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Kristina Felzinger

My name is Kiki Felzinger, and I am a fine art student at the Berlin University of the Arts. My painting emerges from a struggle with identity – not as a promise of perfection, but as an invitation to endure what is already there: the ugly, the tragic, the tenacious. Over the course of months, I layer paint, strip back canvases and paint over traces until a resistance becomes palpable in the material. Within this structure, human-like figures, landscapes, unfamiliar vegetation and cactus-like formations emerge. One point anchors the real, the next eludes it. This deliberate friction between figuration and abstraction reflects a time in which society’s encounter with itself takes place under conditions of crisis: entanglement, invisibilisation, the loss of footing – alone and yet amongst people.

A formative experience is the contrast between Transnistria and East Germany: the echo of a pig’s squeal carrying across villages; harshness and voids seeping into the colours. From this balancing act, images emerge that open up an in-between space in which waiting becomes possible: pausing, not correcting. I am less interested in who we ‘want to be’ than in how we actually behave – often more instinctively, more animalistically, than our self-image allows. My works are not solutions, but touchstones for authenticity. They ask whether we should not first take three steps back in order to practise common ground and acceptance – before we move on.

Over the past few years, I have carried out a wide range of projects – from solo and group exhibitions to educational workshop formats – and gained initial experience of securing funding.

2025Group exhibition