Beobachtet
| Edition | Original Art |
|---|---|
| Sujet | Landscape |
| Technique | Zeichnung |
| Height | 29.7 cm |
| Width | 21 cm |
| Length/Depth | 2 cm |
Material:
Coloured pencil on paper
Technique:
Drawing
My work often begins with observation.
I spend a lot of time in parks. When I look at trees, I eventually start to see faces.
The patterns in the bark remind me of eyes. The longer I look, the more I get the feeling that it’s not just me observing the tree, but the tree observing me too.
Perhaps that’s just my imagination. Or perhaps not.
To me, trees are not silent objects. They seem like beings with their own presence, their own character and their own stories.
Shipping:
The artwork will be sent framed – securely packed with padding – including a certificate of authenticity and a signature on the reverse.
Boramee Kim
has been studying Fine Art at the Bauhaus University Weimar since 2024.
I work intuitively – often faster than I can think. A colour, a line, a material – and suddenly the work takes a direction I hadn’t planned. That’s exactly when it gets interesting.
My drawings and paintings are full of bodies, faces, creatures – often all at once.
That’s me. Different versions of myself: the gentle one, the violent one, the absurd one. I’m interested in where the boundaries between human and nature, between beautiful and ugly, between life and death actually lie – and whether they really exist. I tend not to think so. Beauty and ugliness, light and dark, joy and pain – for me, these aren’t opposites, but two sides of the same coin. In my work, I don’t try to separate them – but to make them visible together.
If someone looks at my work and thinks, ‘What on earth is that?’ – then I’ve got it right. I enjoy working most when I find myself having to laugh a little at what I’ve just created. Strange, but somehow beautiful – that’s what I want to create.
