Coated in Beewax After the Dryness They Have Known (2026)
| Edition | Open Edition |
|---|---|
| Sujet | Portrait |
| Technique | Sculpture |
| Height | 11 cm |
| Width | 11 cm |
| Length/Depth | 11 cm |
Coated in Beewax After the Dryness They Have Known (2026)
Series 10 to xxx
(Concrete Duck Evolution 3), concrete, beeswax, 11 x 11 x 11 cm, approx. 800 to 950 g
The duck as a spirit animal: it is made from a mixture of various fine types of concrete. It cannot swim and thus loses its function. In water, it would sink and drown.
These little ducks are encased and soft. All edges are enclosed. The interior remains protected and preserved. It almost resembles the original from which it was modelled. It is heavier and feels different. It still cannot swim. It is coated with approximately two to three layers of beeswax.
They were cast from the very same mould. As a result, the imperfections and cuts are imprinted identically on every duckling in the same way. The cuts in the silicone mould, which the liquid concrete cannot fully contain, form ever-larger cuts into the duckling, which it ultimately carries as extra weight.
There is as yet no limit to the number of ducklings produced, and each one is engraved with a signature and number after purchase.
Delivery: Wrapped, padded, packed as a parcel, with the signature and number engraved on the underside, including a printed and personalised certificate of authenticity
Terryfied Club
I specialise in installation-based, site-specific and narrative approaches. I see my practice as the transformation of emotion into object, where experience becomes structure; as a space for emotional and social negotiation in which repetition, nonsense, humour and gravity coexist; composed of fragments, glitches and childishly earnest distortions. These become installations comprising objects, images, images as objects, moving images and/or performative processes; characterised by concept and a breaking free from meaning. A focus on process and the invisible strength born of fragility form the core of my work.
Recently, alongside my larger projects, I have been creating repetitive miniatures which can stand on their own even as individual pieces and could just as easily belong to you.
Don’t worry. Welcome. At the Terryfied Club, this attitude becomes an open invitation – a space for those who find themselves caught in the tensions of a self-image defined by insurmountable pressure to perform, utopian expectations, failing laughter and a smile quietly choking in their throat.
Best wishes,
Teresa
2025–2026
State Academy of Fine Arts, Karlsruhe
Fine Art (Sculpture):
Visiting Professor at Kennedy+Swan
2023 – present
State Academy of Fine Arts, Karlsruhe :
Fine Art Diploma (Sculpture) under John Bock
2022 – 2023
Karlsruhe University of Arts and Design: Visiting student :
Exhibition Design and
Scenography 2020–2021
Karlsruhe University of Arts and Design :
Visiting student: Exhibition Design and
Scenography 2019–2023
State Academy of Fine Arts, Karlsruhe :
Fine Art (Diploma) (Painting and Printmaking)
with Marijke van Warmerdam
2019
Escola Artística Soares dos Reis, Porto :
Portuguese Secondary School Examination 2019
(Exames Nacionais do Ensino Secundário 2019)
in Drawing A
2018–2019
Faculty of Fine Arts, University of Porto:
Visiting student (Unidades Curriculares Singulares) :
Contemporary Art (Arte Contemporânea)
Painting Techniques (Matérias e Téchnicas da Pintura)
Stage Design (Cenografia)
2014–2017
Lahr Vocational School,
Vocational College for Graphic Design :
University of Applied Sciences entrance qualification with training as
a
state-certified graphic designer
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