Herbstregen
| Height | 47.5 cm |
|---|---|
| Width | 62 cm |
| Length/Depth | 0.4 cm |
Ich spannte meist ein Aquarellpapier auf eine große Holzplatte und lief bepackt mit allen Sachen die ich brauchte in den Wald, oder in den Garten der Uni oder wie hier; auf einen kleinen Hügel. Von hier aus konnte ich halb Bonn sehen. Als ich meine Sachen aufgebaut hatte und schon angefangen hatte zu malen, sah ich plötzlich eine große Regen Front auf meinen Hügel zukommen.
Ich wusste das ich es nicht mehr trocken zurück schaffen würde. Erst nervös, dann aber mit einem Entschluss setzte ich mich abseits von meinem Bild hin, geschützt vom Regen und beobachte wie das Wasser herunter prasste auf das Bild. Ich streute immer wieder Pigmente über das Papier und ließ es vom Regen bearbeiten.
Dies kam dabei heraus.
Material:
Pigmente mit Bienenwachslasur auf Hahnemühlepapier 47,5 x 62 cm
2021
Versand:
Die Arbeit wird sorgfältig in einem Karton mit den MaßenÂ
74 × 51 cm
 verpackt.
Marlene Pauer
Bachelor of Arts
Art/Education and Therapy
Alanus University of Arts and Social Sciences, Bonn, Germany
Erasmus at the Academy of Fine Arts, La Laguna, Tenerife, Spain 2023
Diploma from the Vitalakademie, Vienna 2019–2020
Children’s book illustrator, Vienna 2017–2018
Ludwig Beck, specialist training in visual marketing design, Munich 2012–2015
BIOGRAPHY
Marlene Pauer studied Fine Art, specialising in art therapy and education, at the Alanus University of Arts and Social Sciences, Bonn. Her journey into art was marked by detours, inner exploration and profound experiences: she initially trained as a window dresser at the age of 16 at Ludwig Beck in Munich – with the original aim of becoming a set designer.Â
However, the sudden onset of a rare muscular disorder meant that her health became her priority. During this time, she discovered new forms of expression: she trained as a children’s book illustrator at Illuskils in Vienna and obtained a diploma in herbal education. All these experiences eventually led her to study fine art.Â
Her work is inspired by artists such as Wolfgang Laib, Vivian Suter and the murals of the Zapatistas in Mexico. For her, the focus is always on the process – experimenting, feeling, mixing. She spent much of her first semester in the countryside, where she layered pigments on top of one another and allowed the influence of the weather and her surroundings – very much in the spirit of Vivian Suter – to flow into her paintings. Later, she worked intensively with printmaking techniques, and during her Erasmus year in Tenerife she gained numerous new insights into painting.
Her work in the bronze foundry also left a lasting impression on her: not because of the material itself, but because of the experience of working with fire, the physical exertion and the absolute concentration required when modelling a single piece. This energy and dedication are still evident in her artistic practice today, even though bronze does not feature in her works.
ARTISTIC STATEMENT
I experiment with drawings, photographs and collages; I mix colours, express my thoughts, seek out places and then transform them into a painted picture. Whether on canvas, wood or cardboard, using techniques such as linocut, etching or copperplate engraving, or through an installation, a performance or an action in public space.Â
Colour is my most faithful companion. It is by my side from the very first moment to the very last. It is the first thing I perceive and the last thing I express. It is the source of my passion. It is the motif that guides my work.
