Kindergrab I
| Edition | Original Art |
|---|---|
| Sujet | Narrative Art |
| Technique | Painting |
| Height | 29.7 cm |
| Width | 21 cm |
| Length/Depth | 1 cm |
Media:
Pencil, acrylic and oil pastel on paper
Technique:
Painting
My work begins with a question.
Beauty and ugliness, humanity and nature, life and death – for me, these are not opposites, but two sides of the same coin.
This piece was created following a visit to a cemetery. I was sketching by the graves of children and expected a heavy, sombre atmosphere. Instead, I encountered something unexpected – a quiet beauty and a great tenderness. Sometimes even death does not feel only dark.
Shipping:
The artwork will be sent framed – securely packed with padding – including a certificate of authenticity and the artist’s signature on the reverse.
Boramee Kim
has been studying Fine Art at the Bauhaus University Weimar since 2024.
I work intuitively – often faster than I can think. A colour, a line, a material – and suddenly the work takes a direction I hadn’t planned. That’s exactly when it gets interesting.
My drawings and paintings are full of bodies, faces, creatures – often all at once.
That’s me. Different versions of myself: the gentle one, the violent one, the absurd one. I’m interested in where the boundaries between human and nature, between beautiful and ugly, between life and death actually lie – and whether they really exist. I tend not to think so. Beauty and ugliness, light and dark, joy and pain – for me, these aren’t opposites, but two sides of the same coin. In my work, I don’t try to separate them – but to make them visible together.
If someone looks at my work and thinks, ‘What on earth is that?’ – then I’ve got it right. I enjoy working most when I find myself having to laugh a little at what I’ve just created. Strange, but somehow beautiful – that’s what I want to create.
