Titanic mit ausreichend Rettungsbooten
| Edition | Original Art |
|---|---|
| Sujet | Mythology and Symbolism |
| Technique | Painting |
| Height | 75 cm |
| Width | 190 cm |
| Length/Depth | 2 cm |
Material:
Canvas
Technique:
Oil
Shipping:
The artwork is shipped stretched on a stretcher frame – including a certificate of authenticity and the artist’s signature on the reverse.
The Titanic was one of the first subjects I painted and modelled as a child. The Titanic as a metaphor for the downfall of faith in human progress and, on a more abstract level, as a symbol for the downfall of human ideals.
This also reminds me of Heiner Müller, who summed up capitalism with the phrase ‘There isn’t enough for everyone!’ and, on the other hand, characterised communism with the motto ‘All or none!’.
When I think of Heiner Müller, I am reminded of the words of Alexander Kluge, who repeats like a mantra that we must know the emergency exits: This knowledge of the emergency exits is a metaphor for finding ways out, hope and alternatives in hopeless situations, crises or in the face of political failure. This perspective – or the search for emergency exits – has fascinated me ever since. Although the fate of the Titanic was already sealed at the time of its naming – the Titans were banished to the ocean floor by the Olympian gods following their rebellion – I decided to equip the HMS Titanic with a sufficient number of lifeboats. It was somewhat difficult to preserve the ship’s aesthetics, as the number of lifeboats had to be more than doubled to ensure that all 2,224 people could be rescued.
And so a catastrophe becomes a turning point with a happy ending. Just as Aeneas, fleeing the burning city of Troy with his father, children and the Penates – the household spirits – emerged as the first European to set foot in Carthage and Rome as a refugee of war.
A cousin or relative of this story that came to mind whilst looking at this painting:
“The Chief of Police was astonished that no one had fallen victim to the fire that completely destroyed the opera house during the Cologne Carnival. He was told that the cheerful carnival-goers formed two lines and danced merrily through the emergency exits, each person holding onto the shoulder of the person in front. No one was left behind.”
Toninho Dingl
Exhibitions:
2014 Kultur im Rathaus, Altötting
2015 ORF Regional Studio, Salzburg
2016 International Art Exhibition, Kolkata
2016 Klessheim Palace, Salzburg
2017 Altötting City Gallery
2018 Salzburg Easter Festival
2019 Group exhibition, Galerie Knecht und Burster, Karlsruhe
2019 Gotischer Kasten, Eggenfelden.
2019 Adorno and the Media at the Centre for Art and Media (ZKM), Karlsruhe.
2021 MISA Fair in St. Agnes / Johann König Gallery
2021 Group exhibition at the Pittler-Werke in Leipzig
2021 Group exhibition ‘Small is beautiful’ at the Mathias Mayr Gallery, Innsbruck
2021 Winter exhibition at the Academy of Fine Arts, curated by C. Wasmuht, K. Lindena and M. Plessen, Karlsruhe
January 2022: Annika Nuttall Gallery, Aarhus, Denmark
May 2022: with Jorgen May at Kulturhaus Holzapfel, Tyrlaching
September 2022: Burg, Tittmoning
March 2023: Kunstverein Worms
2023 Galerie Mathias Mayr, group exhibition, Innsbruck
2023 Reality vs. Illusion, group exhibition, Kunstverein Worms
2023 Farveladen/Malkasten! Annika Nutall, Aarhus
2023 Group exhibition with Kunstverein Plattform 11, Metzingen
2023 Best before: see… Baumhaus Galerie, Cologne
2023 Stereotypes, Better Go South, Berlin.
2023 Echt Jetzt! Museum of Contemporary Art, Heidenheim
2024 Art Karlsruhe with Gallery Uhlig, Karlsruhe 2024 Paperworks Liason Better Go South Group Show, Stuttgart
2024 GOAT Solo Show with Better Go South, Stuttgart
2024 Enter Art Fair Copenhagen with Gallery Uhlig, Copenhagen
2024 Styling Point with Franz Ackermann, St. Gallen
2024 Parallel Art Fair Vienna with Art Collection Schilchtner, Vienna
2024 13 a dozen curated by Joachim Lambrechts, Stuttgart
Other artworks by the artist