Verwachsen-01
| Edition | Original Art |
|---|---|
| Sujet | Other |
| Technique | Zeichnung |
| Height | 29.7 cm |
| Width | 21 cm |
| Length/Depth | 2 cm |
Media: Acrylic, oil pastel and pencil on paper
Technique: drawing, painting
My work begins with a question.
Beauty and ugliness, humanity and nature, life and death – for me, these are not opposites, but two sides of the same coin.
I enjoy creating creatures that do not yet exist. This piece emerged from a period when I was deeply immersed in the world of insects – layer by layer, without a plan. What emerged from this process simultaneously disintegrates and comes together. Separate, yet inseparable.
Shipping: The artwork is sent framed – securely packed with padding – including a certificate of authenticity and the artist’s signature on the reverse. The room photograph is an AI-generated visualisation to give an idea of the scale.
Boramee Kim
has been studying Fine Art at the Bauhaus University Weimar since 2024.
I work intuitively – often faster than I can think. A colour, a line, a material – and suddenly the work takes a direction I hadn’t planned. That’s exactly when it gets interesting.
My drawings and paintings are full of bodies, faces, creatures – often all at once.
That’s me. Different versions of myself: the gentle one, the violent one, the absurd one. I’m interested in where the boundaries between human and nature, between beautiful and ugly, between life and death actually lie – and whether they really exist. I tend not to think so. Beauty and ugliness, light and dark, joy and pain – for me, these aren’t opposites, but two sides of the same coin. In my work, I don’t try to separate them – but to make them visible together.
If someone looks at my work and thinks, ‘What on earth is that?’ – then I’ve got it right. I enjoy working most when I find myself having to laugh a little at what I’ve just created. Strange, but somehow beautiful – that’s what I want to create.
