Waldrand III
| Height | 130 cm |
|---|---|
| Width | 150 cm |
| Length/Depth | 4 cm |
Auf Wunsch kann ein Rahmen angefertigt werden, bitte dafür Kontakt mit Studierendenkunstmarkt aufnehmen.
Versand:
Die Arbeit wird aufgespannt auf einem Keilrahmen versendet – inklusive Echtheitszertifikat und Signatur auf der Rückseite.
Lisa Herwig
Selected exhibitions
2026
group show “Echoes of Presence”, SKM Galerie,
Leipzig
2025
group show “At the end of what’s necessary I’ve come to a place where there is no road.”, Victoria Bar,
Berlin
2023
group show “101st Artists’ Christmas Market”, Paulskirche, BBK, Frankfurt am Main
group show “Art & Wine”, Galerie Baumert Contemporary, Sy
lt
solo exhibition
“Some works, deep feelings”, Kunstverein Schlachtensee, Berlin;
duo
show “Mutter & Tochter”, Galerie erstererster, Berlin
, 2022;
group show “Grande finale”, Frankfurter Künstlerclub;
group show “Rendez-vous des artistes”, Kunstraum Dreieich;
Art Spring open ateliers, by Art Spring Berlin & Milchhof e.V., ECC Weißensee, Berlin
2021
; solo exhibition “Until now”, Schinkestraße 9, Berlin
Art Spring open studios, organised by Art Spring Berlin & Milchhof e.V., ECC Weißensee
BerlinGroup exhibition “Bild einer Ausstellung”, Galerie Parterre,
Berlin
Herwig’s works emerge from landscapes whilst simultaneously breaking free from them. Coasts and forests, blackberry hedges, cactus landscapes and mountainous worlds form the starting point for her painting, though not as motifs in the classical sense, but as spaces of experience. Herwig approaches landscapes through perception and mood, through what takes root in the body and
remains
as
an impression. Her paintings move towards abstraction, towards open spaces of colour in which forms emerge, shift and dissolve again. Rather than expressive exaggeration, she seeks the moment in which tension arises without imposing itself. The works appear as counter-spaces that enable a different form of attention, whilst at the same time having a calming, focused and sensitive effect on nuances. In a world of constant movement and sensory overload, they rely on a quiet presence that does not
assert itself
loudly
, but rather lingers. Formally, Herwig’s work is based on physical movement and speed. The painting process is rhythmic and direct, characterised by gestural brushstrokes and intense colour. Working with distemper and pigments creates a distinctive luminosity that lends the paintings a distinctive, atmospheric density.
