Weiblicher Akt Stehende (AZ2024-19)

from Anja Edelmann

Height	100 cm
Width	70 cm

€1,200.00*

Prices incl. VAT and shipping costs

Sold

Description

Material:

Kohle und Acryl auf Packpapier

Technik:

Kohle-Zeichnung und Malerei

Der Preis bezieht sich auf die Papierarbeit. Die abgebildete Rahmung (auf Museumskarton montiert und in einem Eichenholz-Künstlerrahmen gerahmt, Rahmen-Maße: 107 x 80 x 4,5 cm) kann auf Wunsch zum Selbstkostenpreis mitgeliefert werden.

Versand: Die Arbeit wird gerollt bzw. im Künstlerrahmen inklusive Echtheitszertifikat und Signatur versendet.

Don't know what you're looking for?

Arrange an art consultation directly

Art consulting

Not the right one for you?

Make a request for your customized unique piece

Commissioned work

Each work of art is shipped with a certificate of authenticity

Returns possible within 14 days

Free delivery within Germany

You only pay when the work is safely with you (invoice)

Anja Edelmann

My painting arises from the tension between conflicting forces – the beautiful and the ugly, light and dark, the physical and the spiritual. For me, abstraction is an act of internalisation, a means of making the invisible tangible. The figurative and the abstract, flesh and space, presence and dissolution are in constant dialogue. Historical models – from Titian through Velázquez and Goya to Courbet – serve as a resonant space, whose modes of expression and ways of seeing I question and transform.

My years in theatre and opera have shaped my painting. I think in terms of scenes, moods and inner states – influenced by Jürgen Rose, Dieter Dorn and Thomas Ostermeier. I am currently studying again under Markus Lüpertz. Through him, my painting gains in expressiveness and seriousness; it is through this interplay that I develop my own position between figuration and abstraction.

My female figures embody both strength and vulnerability – an act of self-assertion and a questioning of traditional ways of seeing. For me, a good painting must draw the viewer in – it must be both a mystery and a promise.

More about Anja Edelmann