Assange
| Edition | Original Art |
|---|---|
| Sujet | Portrait |
| Technique | Painting |
| Height | 190 cm |
| Width | 160 cm |
| Length/Depth | 6 cm |
2015
Acrylic on wood
The portrait of Julian Assange, created by the artist Konstantin Lischkoff-Knecht, is a striking depiction of one of the most controversial and, at the same time, most fascinating figures of our time. On a wooden panel mounted on a stretcher frame, the acrylic paint flows in powerful streams, distorting the basic features of Assange’s face. This special technique, developed by Lischkoff-Knecht, serves to bring out the essence of the person portrayed and reveal their deepest character traits.
Assange, as the founder of WikiLeaks, has had a lasting impact on and divided world politics through his revelations and actions. He is a dazzling and ambivalent figure, loved and hated, celebrated as a hero and condemned as a traitor. Lischkoff-Knecht captures this duality in his work. The bold colours of the portrait stand in stark contrast to the dark, deep background and symbolise the intense emotions and turbulent history that surround Assange.
The painting depicts not merely a face, but a story, a soul, expressed through stylisation and dynamic colouring. Assange’s face almost appears as a mask behind which his complex personality is concealed – a mask that is unmasked by the artist’s craft, prompting the viewer to reflect on the true nature of truth and justice. In his portrait, Lischkoff-Knecht addresses the historical significance and moral dilemmas inextricably linked to Assange, inviting the viewer to engage with them.
Konstantin Lischkoff-Knecht
Mr Knecht studied Fine Art at the Academy of Fine Arts in Munich from 2012 to 2020, under Günther Förg and Jorinde Voigt.
Knecht also took part in Anne Imhof’s project class and engaged in lively exchanges with various lecturers and students at the Academy.
Artist Statement
My artistic journey is deeply rooted in Abstract Expressionism, a style characterised by spontaneous, emotional and unbridled forms of expression. The works of pioneers such as Mark Rothko and Willem de Kooning, as well as artists like Cy Twombly and Georg Baselitz, have significantly shaped my understanding and appreciation of the raw, immediate power of colour and form.
In my paintings, I strive to explore the boundaries of visual language and to convey the emotions and thoughts that move me onto the canvas. Abstract Expressionism offers me the freedom to express myself beyond traditional forms and conventions. This style allows me to experiment with colours, textures and compositions to create a deep and often intuitive resonance.
For me, every canvas is a slaughtering block upon which I come to terms with inner conflicts, feelings and thoughts. The movement of the brush, the flow of paint and the bold gestures reflect the intensity and spontaneity that lie at the heart of my work. The factor of time plays a very intimate role in the creative process: For me, the flow of paint and the resulting emergence of the image represent the passing of the states of my inner life as they are immediately experienced. This process is ultimately concealed from the viewer – the viewer is presented only with the outcome of my process. Through this unfiltered form of artistic expression, I strive to draw viewers into a world of emotion that is as subjective and multi-layered as human experience itself.
Abstract Expressionism has provided me not only with a stylistic framework, but also with a philosophical foundation. It reminds me that art should not merely be viewed, but experienced – it should create a direct and often personal connection between the work and the viewer.
Exhibitions (selection):
2015 Polish Institute Platan / Latarka Gallery (Budapest)
2015 Salon Kennedy (Frankfurt)
2015 Kunstverein Wiesbaden (Wiesbaden)
2016 Catholic Academy Munich (Munich)
2017 Lothringer 13 (Munich)
2017 Art Homes (Munich)
2018 Kunstarkaden (Munich)
2018 Haus 10 (Fürstenfeldbruck)
2023 Kunstarkaden (Munich)
2024 Kunstpavillon (Munich)