Bogliasco2
| Edition | Original Art |
|---|---|
| Sujet | Landscape |
| Technique | Painting |
| Height | 160 cm |
| Width | 130 cm |
| Length/Depth | 2.5 cm |
(2016)
Acrylic on canvas
The painting features a particularly delicate and intriguing surface, which the artist has created using a technique he developed himself. This involves applying washes of diluted pigment, which build up in a glazed manner to produce a unique monochrome picture surface.
This innovative technique lends the work a subtle, almost ethereal quality. The glazed layers of pigment create a surface that appears both deep and transparent, as if light were passing through the various layers, thereby generating a complex, multi-dimensional texture. The painting’s monochrome colour scheme reinforces this impression by directing the viewer’s focus towards the subtle nuances of the pigment gradients and the delicate texture of the surface. Each application of pigment adds a new layer to the painting, blending gently and harmoniously with the existing layers. The result is a rich, dense pictorial surface that nevertheless appears light and translucent.
In this conceptual painting style, the artist explores the theme of gravity, which plays an essential role in the creative process. The pouring follows the laws of gravity and creates natural, unpredictable patterns that enliven the painting and lend it a dynamic quality. Through the deliberate incorporation of gravity, a connection is forged between the physical world and the artistic form of expression.
This method of application lends the work a meditative calm and a quiet elegance. The patterns and gradients created by the pouring are organic and unpredictable, lending the monochrome surface a lively dynamism. The subtlety and sophistication of the technique only become apparent upon closer inspection, inviting the viewer to take their time and explore the details of the layers.
The combination of dilution and glazing techniques creates a distinctive texture that captures and reflects light in a unique way. This surface produces a profound visual experience that goes beyond the purely visual, taking the viewer on a contemplative journey through colour and form.
The work is a striking example of the artist’s ability to reinterpret and further develop traditional painting techniques. The specially developed pouring technique testifies to a deep engagement with the materials and the creative process, culminating in a unique, monochrome pictorial surface that is both visually fascinating and conceptually profound. The theme of gravity emphasises the connection between the natural world and artistic creation, lending the work an additional dimension of meaning.
Konstantin Lischkoff-Knecht
Mr Knecht studied Fine Art at the Academy of Fine Arts in Munich from 2012 to 2020, under Günther Förg and Jorinde Voigt.
Knecht also took part in Anne Imhof’s project class and engaged in lively exchanges with various lecturers and students at the Academy.
Artist Statement
My artistic journey is deeply rooted in Abstract Expressionism, a style characterised by spontaneous, emotional and unbridled forms of expression. The works of pioneers such as Mark Rothko and Willem de Kooning, as well as artists like Cy Twombly and Georg Baselitz, have significantly shaped my understanding and appreciation of the raw, immediate power of colour and form.
In my paintings, I strive to explore the boundaries of visual language and to convey the emotions and thoughts that move me onto the canvas. Abstract Expressionism offers me the freedom to express myself beyond traditional forms and conventions. This style allows me to experiment with colours, textures and compositions to create a deep and often intuitive resonance.
For me, every canvas is a slaughtering block upon which I come to terms with inner conflicts, feelings and thoughts. The movement of the brush, the flow of paint and the bold gestures reflect the intensity and spontaneity that lie at the heart of my work. The factor of time plays a very intimate role in the creative process: For me, the flow of paint and the resulting emergence of the image represent the passing of the states of my inner life as they are immediately experienced. This process is ultimately concealed from the viewer – the viewer is presented only with the outcome of my process. Through this unfiltered form of artistic expression, I strive to draw viewers into a world of emotion that is as subjective and multi-layered as human experience itself.
Abstract Expressionism has provided me not only with a stylistic framework, but also with a philosophical foundation. It reminds me that art should not merely be viewed, but experienced – it should create a direct and often personal connection between the work and the viewer.
Exhibitions (selection):
2015 Polish Institute Platan / Latarka Gallery (Budapest)
2015 Salon Kennedy (Frankfurt)
2015 Kunstverein Wiesbaden (Wiesbaden)
2016 Catholic Academy Munich (Munich)
2017 Lothringer 13 (Munich)
2017 Art Homes (Munich)
2018 Kunstarkaden (Munich)
2018 Haus 10 (Fürstenfeldbruck)
2023 Kunstarkaden (Munich)
2024 Kunstpavillon (Munich)