Tammy
| Edition | Original Art |
|---|---|
| Sujet | Portrait |
| Technique | Painting |
| Height | 150 cm |
| Width | 150 cm |
| Length/Depth | 6 cm |
2015
Oil on MDF mounted on a wooden frame
This artwork is a striking oil painting created on high-quality MDF and mounted onto a sturdy wooden frame. The subject of this painting is a close-up of the face of a young, pretty woman who looks directly at the viewer with an intense expression.
Particularly remarkable is the photorealistic precision with which the artist has worked. Every detail of the face, from the fine lines of the skin to the deep, expressive eyes, is rendered with such precision that it almost appears to be a photograph. This attention to detail can be seen as a symbol of the complexity and depth of human identity. It invites the viewer not only to focus on the surface, but also to explore the hidden facets and nuances of the individual.
Another striking feature of this painting is the use of shades of blue in the shadows. This unconventional choice lends the work an added sense of drama and depth, which further enhances the woman’s intense expression. The blue shadows could symbolise grief, melancholy or even a deep inner calm. They contrast sharply with the natural skin tones and create a captivating visual dynamic that encourages the viewer to reflect on the emotional world and possible inner conflicts of the person depicted.
The woman’s direct gaze captivates the viewer and creates a connection that seems almost tangible. It is as though the woman is inviting the viewer to look beyond the façade and recognise her true essence.
Overall, the painting demonstrates not only technical skill and a masterful command of oil painting, but also a deep understanding of light, shadow and emotion. It captivates the viewer and invites them to explore the hidden stories and emotions behind the young woman’s piercing gaze. The combination of photorealistic depiction and symbolic depth makes this work a fascinating piece that appeals to both the eye and the mind.
Konstantin Lischkoff-Knecht
Mr Knecht studied Fine Art at the Academy of Fine Arts in Munich from 2012 to 2020, under Günther Förg and Jorinde Voigt.
Knecht also took part in Anne Imhof’s project class and engaged in lively exchanges with various lecturers and students at the Academy.
Artist Statement
My artistic journey is deeply rooted in Abstract Expressionism, a style characterised by spontaneous, emotional and unbridled forms of expression. The works of pioneers such as Mark Rothko and Willem de Kooning, as well as artists like Cy Twombly and Georg Baselitz, have significantly shaped my understanding and appreciation of the raw, immediate power of colour and form.
In my paintings, I strive to explore the boundaries of visual language and to convey the emotions and thoughts that move me onto the canvas. Abstract Expressionism offers me the freedom to express myself beyond traditional forms and conventions. This style allows me to experiment with colours, textures and compositions to create a deep and often intuitive resonance.
For me, every canvas is a slaughtering block upon which I come to terms with inner conflicts, feelings and thoughts. The movement of the brush, the flow of paint and the bold gestures reflect the intensity and spontaneity that lie at the heart of my work. The factor of time plays a very intimate role in the creative process: For me, the flow of paint and the resulting emergence of the image represent the passing of the states of my inner life as they are immediately experienced. This process is ultimately concealed from the viewer – the viewer is presented only with the outcome of my process. Through this unfiltered form of artistic expression, I strive to draw viewers into a world of emotion that is as subjective and multi-layered as human experience itself.
Abstract Expressionism has provided me not only with a stylistic framework, but also with a philosophical foundation. It reminds me that art should not merely be viewed, but experienced – it should create a direct and often personal connection between the work and the viewer.
Exhibitions (selection):
2015 Polish Institute Platan / Latarka Gallery (Budapest)
2015 Salon Kennedy (Frankfurt)
2015 Kunstverein Wiesbaden (Wiesbaden)
2016 Catholic Academy Munich (Munich)
2017 Lothringer 13 (Munich)
2017 Art Homes (Munich)
2018 Kunstarkaden (Munich)
2018 Haus 10 (Fürstenfeldbruck)
2023 Kunstarkaden (Munich)
2024 Kunstpavillon (Munich)
