Tiefgrau
| Edition | Original Art |
|---|---|
| Sujet | Mythology and Symbolism |
| Technique | Painting |
| Height | 220 cm |
| Width | 170 cm |
| Length/Depth | 5 cm |
2017
170x220
Oil and pigment on canvas
This monumental monochrome oil painting by Konstantin Lischkoff-Knecht, measuring an impressive 170x220 cm, is a powerful example of the expressive power of colour and technique. In an elaborate, specially developed process known as ‘glaze pouring’, the artist applies liquid oil paint to the canvas and allows it to flow in a controlled yet natural manner. This process explores the force of gravity and makes it immediately visible within the painting.
The flowing movement of the paint creates an impressive depth that draws the viewer into the picture. Through the fine layers that form as the paint dries, a subtle yet intense chromatic density unfolds, revealing vibrant textures upon closer inspection. Despite the monochrome palette, an enormous variety of nuances unfolds, shifting with the angle of the light and constantly redefining the painting.
Lischkoff-Knecht’s work demonstrates how a seemingly simple form of painting can, through innovative techniques and a deep understanding of physical forces, become an impressive, almost meditative visual experience. The expressive impact of the painting lies not so much in the depiction as in the immediate, almost tangible presence of the paint, which, through its slow flow, finds its own path across the canvas.
Konstantin Lischkoff-Knecht
Mr Knecht studied Fine Art at the Academy of Fine Arts in Munich from 2012 to 2020, under Günther Förg and Jorinde Voigt.
Knecht also took part in Anne Imhof’s project class and engaged in lively exchanges with various lecturers and students at the Academy.
Artist Statement
My artistic journey is deeply rooted in Abstract Expressionism, a style characterised by spontaneous, emotional and unbridled forms of expression. The works of pioneers such as Mark Rothko and Willem de Kooning, as well as artists like Cy Twombly and Georg Baselitz, have significantly shaped my understanding and appreciation of the raw, immediate power of colour and form.
In my paintings, I strive to explore the boundaries of visual language and to convey the emotions and thoughts that move me onto the canvas. Abstract Expressionism offers me the freedom to express myself beyond traditional forms and conventions. This style allows me to experiment with colours, textures and compositions to create a deep and often intuitive resonance.
For me, every canvas is a slaughtering block upon which I come to terms with inner conflicts, feelings and thoughts. The movement of the brush, the flow of paint and the bold gestures reflect the intensity and spontaneity that lie at the heart of my work. The factor of time plays a very intimate role in the creative process: For me, the flow of paint and the resulting emergence of the image represent the passing of the states of my inner life as they are immediately experienced. This process is ultimately concealed from the viewer – the viewer is presented only with the outcome of my process. Through this unfiltered form of artistic expression, I strive to draw viewers into a world of emotion that is as subjective and multi-layered as human experience itself.
Abstract Expressionism has provided me not only with a stylistic framework, but also with a philosophical foundation. It reminds me that art should not merely be viewed, but experienced – it should create a direct and often personal connection between the work and the viewer.
Exhibitions (selection):
2015 Polish Institute Platan / Latarka Gallery (Budapest)
2015 Salon Kennedy (Frankfurt)
2015 Kunstverein Wiesbaden (Wiesbaden)
2016 Catholic Academy Munich (Munich)
2017 Lothringer 13 (Munich)
2017 Art Homes (Munich)
2018 Kunstarkaden (Munich)
2018 Haus 10 (Fürstenfeldbruck)
2023 Kunstarkaden (Munich)
2024 Kunstpavillon (Munich)
