ohne Titel
| Edition | Original Art |
|---|---|
| Sujet | Portrait |
| Technique | Painting |
| Height | 150 cm |
| Width | 100 cm |
| Length/Depth | 6 cm |
2013
Acrylic on wood on a stretcher frame
The painting ‘Untitled’ by Konstantin Lischkoff-Knecht depicts a young woman in a nude pose, wearing a black bra. She stands confidently and upright, her gaze directed straight at the viewer, exuding a strong presence and determination. This depiction combines both the sensual and the powerful aspects of femininity.
Lischkoff-Knecht once again employs his unique acrylic painting technique, in which the paint runs down the canvas in flowing streaks. This technique results in a fascinating combination of realism and abstraction, alienating the figure of the woman whilst simultaneously emphasising her form. The flowing colours create a vibrant and dynamic texture that emphasises the movement and life within the painting.
The painting’s colour palette, dominated by muted tones and the striking black of the bra, contrasts with the flowing lines and lends the composition an elegant yet powerful aura. The shades of black and grey emphasise the woman’s contours and highlight her figure, whilst the flowing painting technique creates a surreal yet sensual atmosphere.
In the untitled painting, the aspect of time plays a significant role. The painting process itself becomes an intense exploration of the artist’s subjectivity and emotions. The painting shows only the end result of this creative journey; the artist’s inner thoughts and feelings remain hidden from the viewer. This aspect adds an extra layer of reflection and interpretation to the work, as the viewer must grasp and interpret the image in their own way.
The painting is more than just a nude depiction; it is an exploration of the themes of self-awareness, sensuality and the complex emotions these can evoke. Lischkoff-Knecht challenges the viewer to recognise the subtle interplay between the woman’s self-perception and her portrayal. Through his innovative technique and the powerful portrayal of the woman, the artist succeeds in creating a deeply emotional and captivating visual experience. The painting stands as a striking example of Lischkoff-Knecht’s ability to transcend traditional genre boundaries and, through his expressive technique, to achieve a new level of artistic expression.
Konstantin Lischkoff-Knecht
Mr Knecht studied Fine Art at the Academy of Fine Arts in Munich from 2012 to 2020, under Günther Förg and Jorinde Voigt.
Knecht also took part in Anne Imhof’s project class and engaged in lively exchanges with various lecturers and students at the Academy.
Artist Statement
My artistic journey is deeply rooted in Abstract Expressionism, a style characterised by spontaneous, emotional and unbridled forms of expression. The works of pioneers such as Mark Rothko and Willem de Kooning, as well as artists like Cy Twombly and Georg Baselitz, have significantly shaped my understanding and appreciation of the raw, immediate power of colour and form.
In my paintings, I strive to explore the boundaries of visual language and to convey the emotions and thoughts that move me onto the canvas. Abstract Expressionism offers me the freedom to express myself beyond traditional forms and conventions. This style allows me to experiment with colours, textures and compositions to create a deep and often intuitive resonance.
For me, every canvas is a slaughtering block upon which I come to terms with inner conflicts, feelings and thoughts. The movement of the brush, the flow of paint and the bold gestures reflect the intensity and spontaneity that lie at the heart of my work. The factor of time plays a very intimate role in the creative process: For me, the flow of paint and the resulting emergence of the image represent the passing of the states of my inner life as they are immediately experienced. This process is ultimately concealed from the viewer – the viewer is presented only with the outcome of my process. Through this unfiltered form of artistic expression, I strive to draw viewers into a world of emotion that is as subjective and multi-layered as human experience itself.
Abstract Expressionism has provided me not only with a stylistic framework, but also with a philosophical foundation. It reminds me that art should not merely be viewed, but experienced – it should create a direct and often personal connection between the work and the viewer.
Exhibitions (selection):
2015 Polish Institute Platan / Latarka Gallery (Budapest)
2015 Salon Kennedy (Frankfurt)
2015 Kunstverein Wiesbaden (Wiesbaden)
2016 Catholic Academy Munich (Munich)
2017 Lothringer 13 (Munich)
2017 Art Homes (Munich)
2018 Kunstarkaden (Munich)
2018 Haus 10 (Fürstenfeldbruck)
2023 Kunstarkaden (Munich)
2024 Kunstpavillon (Munich)
