two
| Edition | Original Art |
|---|---|
| Sujet | Other |
| Technique | Photography |
| Height | 90 cm |
| Width | 66 cm |
| Length/Depth | 2 cm |
Media/Technique: Monolithography print and acrylic on canvas
Year created: 2022
The printed image is based on an analogue photograph from the artist’s own private collection. The title two applies to this work in various ways. On the one hand, there are two printed photographs; on the other, the word two stands for repetitions that are significant in this work, but which are often only visible upon a second glance. For example, the two orange-coloured jagged edges, which originate from one of the two Monolithos. The sharp lines in the photographs provide a frame which, through the dark blue, almost black acrylic paint, contrasts with the monolithographs.
*The work is mounted on a stretcher frame and is sold and dispatched signed in this form.
Luzie Pheiffer
EXHIBITION OVERVIEW
2023 “in between – Photography & Painting”, at the Kulturbahnhof Kreuztal, Siegen
2023 Tour organised by the Department of Art at the University of Siegen
2023 Transform at the Kunstverein Siegen, in cooperation with the University of Siegen
2022 Zwischenraum – Photography and Painting, Konventsaal at Stift Keppel in Siegen, as part of the Siegen Art Summer
2022 Tour of the Art Department at the University of Siegen
2021 POOOLmag, digital exhibition by the group 3/55 e.V.
2020 Brauhausfotografie29 (digital) in collaboration with the University of Siegen
2019 Of The Wall in the Herrengarten, Siegen, in collaboration with the University of Siegen
2019 display and unfold, Haus Seel municipal gallery, Siegen, in collaboration with the University of Siegen
Information about myself and my work
My name is Luzie Pheiffer, I am 30 years old and completed my Master’s degree, specialising in Art, at the University of Siegen at the end of March 2024.
My artistic work combines the fields of photography, printmaking and painting. My analogue photographs serve as a point of reference for composing the images and as a starting point for further processing the works through printmaking and painting techniques using acrylic and lacquer paints. The works undergo a multi-layered process and are increasingly transformed, deformed, altered, abstracted and censored: Prints from the darkroom can be scanned and digitally altered; these are printed out and then produced as unique pieces using the monolithography process, during which unpredictable events often occur, which in turn have great significance for the subsequent painterly treatment. This ‘coincidence’ gives rise to supposed ‘errors’, which, for example, are pictorially staged/ emphasised/ multiplied/…
The subjects of my photographs are intuitive moments from everyday life and my surroundings, which at first glance appear rather mundane. Through the camera’s limited frame and, ultimately, the limited image area of the photograph, a subjective value is attributed to them. Another motif is the interplay of light and shadow, which is characterised in particular by strong contrast and forms a network of abstract shapes, which are ultimately taken up and utilised individually on a painterly level.
