Chimisay
| Height | 60 cm |
|---|---|
| Width | 42 cm |
| Length/Depth | 2 cm |
Ich beobachtete die Schiffe, die kamen und gingen.
Eines Tages stieß ich plötzlich auf etwas.
Es stand da …
Riesig, wie ein Ungetüm mit Beinen auf Rädern.
Schwer, voller Rost, noch immer undicht und frisch aus dem Wasser gezogen.
Ich ging darum herum … ich wusste nicht, was es war.
Es hatte Türen, Fenster, einen Balkon, der sich drehte …
Ich starrte es lange Zeit an.
Dann sagte ich mir: Ja,
morgen komme ich wieder und sehe dich mir genauer an.
Am nächsten Tag war es verschwunden.
Material:
Beschichtete Malpappe
Technik:
Acryl - enstanden 2023 im Auslandsemester
Versandinformation zur Arbeit:
Die Arbeit wird sorgfältig in einem Karton mit den Maßen 74 × 51 cm verpackt.
Es handelt sich um ein zweiteiliges Werk, gemalt auf beschichteter Malpappe. Beide Teile ergeben gemeinsam ein zusammenhängendes Bild.
Auf der Rückseite jedes Teils ist eine Leiste angebracht, die eine variable Hängung ermöglicht: Die beiden Elemente können direkt übereinander oder mit leichtem Abstand zueinander positioniert werden – je nach gewünschter Wirkung im Raum.
Durch die rückseitigen Leisten hebt sich das Werk ca. 2 cm von der Wand ab und erhält dadurch eine räumliche Präsenz und Tiefe.
Marlene Pauer
Bachelor of Arts
Art/Education and Therapy
Alanus University of Arts and Social Sciences, Bonn, Germany
Erasmus at the Academy of Fine Arts, La Laguna, Tenerife, Spain 2023
Diploma from the Vitalakademie, Vienna 2019–2020
Children’s book illustrator, Vienna 2017–2018
Ludwig Beck, specialist training in visual marketing design, Munich 2012–2015
BIOGRAPHY
Marlene Pauer studied Fine Art, specialising in art therapy and education, at the Alanus University of Arts and Social Sciences, Bonn. Her journey into art was marked by detours, inner exploration and profound experiences: she initially trained as a window dresser at the age of 16 at Ludwig Beck in Munich – with the original aim of becoming a set designer.Â
However, the sudden onset of a rare muscular disorder meant that her health became her priority. During this time, she discovered new forms of expression: she trained as a children’s book illustrator at Illuskils in Vienna and obtained a diploma in herbal education. All these experiences eventually led her to study fine art.Â
Her work is inspired by artists such as Wolfgang Laib, Vivian Suter and the murals of the Zapatistas in Mexico. For her, the focus is always on the process – experimenting, feeling, mixing. She spent much of her first semester in the countryside, where she layered pigments on top of one another and allowed the influence of the weather and her surroundings – very much in the spirit of Vivian Suter – to flow into her paintings. Later, she worked intensively with printmaking techniques, and during her Erasmus year in Tenerife she gained numerous new insights into painting.
Her work in the bronze foundry also left a lasting impression on her: not because of the material itself, but because of the experience of working with fire, the physical exertion and the absolute concentration required when modelling a single piece. This energy and dedication are still evident in her artistic practice today, even though bronze does not feature in her works.
ARTISTIC STATEMENT
I experiment with drawings, photographs and collages; I mix colours, express my thoughts, seek out places and then transform them into a painted picture. Whether on canvas, wood or cardboard, using techniques such as linocut, etching or copperplate engraving, or through an installation, a performance or an action in public space.Â
Colour is my most faithful companion. It is by my side from the very first moment to the very last. It is the first thing I perceive and the last thing I express. It is the source of my passion. It is the motif that guides my work.
