Pflanze – Das Unkraut am Flussufer
| Edition | Original Art |
|---|---|
| Sujet | Landscape |
| Technique | Painting – Acrylic on Canvas |
| Height | 70 cm |
| Width | 50 cm |
| Length/Depth | 2 cm |
Medium:
Acrylic on canvas
Description:
This work is part of the ‘Plants’ series, in which I explore the living structure of nature in abstract form.
In the background, one can make out a tranquil river, its surface shimmering in delicate, overlapping layers of colour.
Lines, dots and spontaneous streaks of colour emerge from the depths of the picture – like wild grass and the movement of water in the wind.
A rich green dominates the composition, whilst yellow, red and white provide rhythmic accents.
The painting style is free, intuitive and yet precise – striking a balance between abstraction and reality.
This work does not depict a landscape in the classical sense, but rather an emotional perception:
the murmur of the water, the light over the river and the growth of nature.
A work about movement, energy and vitality – a moment in which colour becomes the language of nature.
Shipping :
The work is shipped stretched on a stretcher frame – including a certificate of authenticity and the artist’s signature on the reverse.
Guoqiang Wu
Education:,
2016–2017 Academy of Arts (ASK) Berlin, Course: Fine Art – Painting,
2017–2021 Essen University of Fine Arts under Prof. Nicola Stäglich, Course:
Painting
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Printmaking Artist’s Statement :
My art springs from my innermost consciousness. Through my works, I wish to express my most primal thoughts and thereby make visible my existence as a thinking being in this world.
Over time, experiences, encounters and emotions accumulate, causing my works to reflect various moods. Yet despite all these changes, my fundamental way of thinking remains unchanged. During my early years at university, my works were often chaotic – to some, this may have appeared to be an unstructured or immature technique. Yet for me, it was a natural process of growth, an honest portrayal of life. Over time, my works became more minimalist, clearer and more three-dimensional. I did not consciously steer this development – it simply manifested itself in my art. This style continues to characterise my work to this day: clear geometry, strong colour contrasts and deliberate reduction. Large monochrome areas combined with fine lines or multiple blocks of colour create a sharp, almost cutting effect. This clarity and directness reflect my mindset at the time – no compromises, no detours.
Today, I yearn for purity, clarity and directness.
A defining theme in my art is my childhood. I grew up in a Chinese village whilst my parents worked in the city to make ends meet. My grandparents brought me up. The longing for my parents made me emotionally sensitive – I dreamt of seeing them again. This profound emotional experience has found its way into my works, for it is part of my most personal perception of reality.
Later, I worked in a warehouse in Germany for seven years – a long time during which I did not pick up a paintbrush. This phase was formative and difficult for me, yet it is part of my life. In early 2025, I consciously brought this chapter of my life to a close by handing in my notice. Perhaps this experience, too, will one day become a new artistic theme.
Whatever the theme, technique or material – I remain true to my original ideas. My art is not staged, but an honest reflection of the world from the perspective of an ordinary person.
Exhibitions:,
2019.
“Vor Ort” – Students and lecturers from the HBK Essen, Maschinenhalle in Dorsten,
2020.
9. Revierkunst, Zeche Ewald Herten.
HBK Essen 2020 School Scholarship Nomination
Other artworks by the artist
