Seitenansicht
| Edition | Original Art |
|---|---|
| Sujet | Other |
| Technique | Sculpture |
| Height | 54 cm |
| Width | 26 cm |
| Length/Depth | 2 cm |
Material:
[Genuine woollen threads (three thicknesses), acrylic paint, canvas]
Technique:
[Mixed media on canvas with yarn appliqués; a combination of free-form acrylic application and a textured wool structure to create an abstract portrait silhouette]
Shipping:
The work will be shipped stretched on a stretcher frame – including a certificate of authenticity and signature on the reverse.
Description:
“Side View” is a unique portrait that boldly breaks with convention in both form and material. The anonymous figure seen in profile – gender-neutral, silent and introspective – is created not by painted lines, but by real woollen threads, applied precisely to the canvas in three different thicknesses. This textile language of form lends the figure an almost sculptural presence and an unusual tactile quality.
The background consists of freely flowing acrylic paint, whose dynamic interplay heightens the contrast with the still figure. The dominant colours – muted green, violet, white and beige – create a calm, contemplative atmosphere. A central white wool structure draws the eye back to the figure and creates visual balance.
The work is neither a classical portrait nor pure abstraction. Rather, it is a delicate interplay between textile art, painting and symbolic emptiness.
Concept & Distinctive Features
✔ Innovative technique – real yarn in three thicknesses as a central design element, not as an accessory.
✔ Subtle symbolism – the anonymous figure appears detached, almost like a memory or a projection.
✔ Striking material contrasts – soft, tactile lines set against flowing, wet paint.
✔ Understated in colour, profound in content – muted tones create space for introspection.
✔ Unisex and universally accessible – the absence of gender association allows for broader identification.
Guoqiang Wu
Education:,
2016–2017 Academy of Arts (ASK) Berlin, Course: Fine Art – Painting,
2017–2021 Essen University of Fine Arts under Prof. Nicola Stäglich, Course:
Painting
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Printmaking Artist’s Statement :
My art springs from my innermost consciousness. Through my works, I wish to express my most primal thoughts and thereby make visible my existence as a thinking being in this world.
Over time, experiences, encounters and emotions accumulate, causing my works to reflect various moods. Yet despite all these changes, my fundamental way of thinking remains unchanged. During my early years at university, my works were often chaotic – to some, this may have appeared to be an unstructured or immature technique. Yet for me, it was a natural process of growth, an honest portrayal of life. Over time, my works became more minimalist, clearer and more three-dimensional. I did not consciously steer this development – it simply manifested itself in my art. This style continues to characterise my work to this day: clear geometry, strong colour contrasts and deliberate reduction. Large monochrome areas combined with fine lines or multiple blocks of colour create a sharp, almost cutting effect. This clarity and directness reflect my mindset at the time – no compromises, no detours.
Today, I yearn for purity, clarity and directness.
A defining theme in my art is my childhood. I grew up in a Chinese village whilst my parents worked in the city to make ends meet. My grandparents brought me up. The longing for my parents made me emotionally sensitive – I dreamt of seeing them again. This profound emotional experience has found its way into my works, for it is part of my most personal perception of reality.
Later, I worked in a warehouse in Germany for seven years – a long time during which I did not pick up a paintbrush. This phase was formative and difficult for me, yet it is part of my life. In early 2025, I consciously brought this chapter of my life to a close by handing in my notice. Perhaps this experience, too, will one day become a new artistic theme.
Whatever the theme, technique or material – I remain true to my original ideas. My art is not staged, but an honest reflection of the world from the perspective of an ordinary person.
Exhibitions:,
2019.
“Vor Ort” – Students and lecturers from the HBK Essen, Maschinenhalle in Dorsten,
2020.
9. Revierkunst, Zeche Ewald Herten.
HBK Essen 2020 School Scholarship Nomination
Other artworks by the artist
