Re-Flexion (des Absoluten)
| Edition | Original Art |
|---|---|
| Sujet | Mythology and Symbolism |
| Technique | Painting |
| Height | 145 cm |
| Width | 165 cm |
| Length/Depth | 2.5 cm |
(2020)
Spray pigment on canvas
Coloured dots are placed on a canvas dyed using the batik technique with bleach; these serve as reflective elements. These dots are arranged compositionally, creating a harmonious yet complex structure. In addition, the artist has cut round, uniform holes into the canvas at compositionally significant points. These perforations in the canvas open up a further dimension to the pictorial plane, making the work appear more interactive and multi-layered.
Alongside the coloured reflective elements, dots created using bleach and dots in the natural colour of the hemp fabric have also been applied. These various techniques and materials produce a fascinating interplay of textures and layers, lending the image depth and versatility.
The use of the bleached, organic patterns of the hemp fabric as a background provides a high-contrast base for the coloured and bleached dots, as well as the cut-out holes. These various dots, each with its own texture and effect, interact with one another to create a dynamic visual experience.
By combining these various elements and techniques, the artist has created a multi-layered composition that is both aesthetically appealing and conceptually profound. The reflective elements, the interplay of forms and the varied surfaces invite the viewer to engage deeply with the details of the work and to explore its hidden meanings.
This work is a striking example of analytical painting, in which the exploration of colour, form and structure takes centre stage. Through the innovative use of bleached and natural fabrics, cut-out holes and applied dots, a visual narrative is created that appeals to both the intellect and the senses. The artist invites the viewer to immerse themselves in the various dimensions and layers of the painting and to find a personal connection with the compositions depicted.
Konstantin Lischkoff-Knecht
Mr Knecht studied Fine Art at the Academy of Fine Arts in Munich from 2012 to 2020, under Günther Förg and Jorinde Voigt.
Knecht also took part in Anne Imhof’s project class and engaged in lively exchanges with various lecturers and students at the Academy.
Artist Statement
My artistic journey is deeply rooted in Abstract Expressionism, a style characterised by spontaneous, emotional and unbridled forms of expression. The works of pioneers such as Mark Rothko and Willem de Kooning, as well as artists like Cy Twombly and Georg Baselitz, have significantly shaped my understanding and appreciation of the raw, immediate power of colour and form.
In my paintings, I strive to explore the boundaries of visual language and to convey the emotions and thoughts that move me onto the canvas. Abstract Expressionism offers me the freedom to express myself beyond traditional forms and conventions. This style allows me to experiment with colours, textures and compositions to create a deep and often intuitive resonance.
For me, every canvas is a slaughtering block upon which I come to terms with inner conflicts, feelings and thoughts. The movement of the brush, the flow of paint and the bold gestures reflect the intensity and spontaneity that lie at the heart of my work. The factor of time plays a very intimate role in the creative process: For me, the flow of paint and the resulting emergence of the image represent the passing of the states of my inner life as they are immediately experienced. This process is ultimately concealed from the viewer – the viewer is presented only with the outcome of my process. Through this unfiltered form of artistic expression, I strive to draw viewers into a world of emotion that is as subjective and multi-layered as human experience itself.
Abstract Expressionism has provided me not only with a stylistic framework, but also with a philosophical foundation. It reminds me that art should not merely be viewed, but experienced – it should create a direct and often personal connection between the work and the viewer.
Exhibitions (selection):
2015 Polish Institute Platan / Latarka Gallery (Budapest)
2015 Salon Kennedy (Frankfurt)
2015 Kunstverein Wiesbaden (Wiesbaden)
2016 Catholic Academy Munich (Munich)
2017 Lothringer 13 (Munich)
2017 Art Homes (Munich)
2018 Kunstarkaden (Munich)
2018 Haus 10 (Fürstenfeldbruck)
2023 Kunstarkaden (Munich)
2024 Kunstpavillon (Munich)
