Reflexion III
| Edition | Original Art |
|---|---|
| Sujet | Mythology and Symbolism |
| Technique | Painting |
| Height | 150 cm |
| Width | 150 cm |
| Length/Depth | 2.5 cm |
(2020)
Spray pigment on stitched hemp and corduroy fabric
The square painting radiates a vibrant energy through its uplifting colour scheme. The canvas consists of two pieces of fabric sewn together horizontally: the upper half is made of mustard-coloured corduroy, the lower half of burlap, both of which have been batik-dyed with bleach. This combination of textures and colours creates a fascinating visual foundation.
On this canvas, the dots – which serve as reflective elements – are artfully arranged. These dots partially overlap, creating a shimmering effect that lends the composition additional dynamism and vitality. The colour scheme and the shimmering effect of the dots are inspired by the works of the abstract expressionist Mark Rothko, whose energetic paintings have a powerful emotional impact on the viewer.
The mustard-coloured corduroy fabric in the upper part of the picture lends the composition a warm, earthy texture, whilst the bleached nettle fabric in the lower part offers an organic, almost ethereal contrast. These contrasts in texture and colour create a harmonious tension that captivates the viewer.
The overlapping and shimmering of the reflective elements creates a dynamic interplay of light and colour, reminiscent of the deep, emotional layers found in Rothko’s works. Through this innovative combination of materials and techniques, the artist succeeds in staging a visual narrative that is both aesthetically appealing and conceptually profound.
The uplifting colour scheme and the vibrant composition invite the viewer to engage deeply with the details and layers of the painting. The reflective elements and their overlays intensify the emotional impact and create a sense of movement and energy.
This work is a striking example of analytical painting, in which the exploration of colour, form and structure takes centre stage. The Rothko-inspired colour scheme and the shimmering effect of the dots lend the painting a timeless quality that appeals to both the intellect and the senses. The artist invites the viewer to immerse themselves in the various dimensions and layers of the painting and to find a personal connection with the compositions depicted.
Konstantin Lischkoff-Knecht
Mr Knecht studied Fine Art at the Academy of Fine Arts in Munich from 2012 to 2020, under Günther Förg and Jorinde Voigt.
Knecht also took part in Anne Imhof’s project class and engaged in lively exchanges with various lecturers and students at the Academy.
Artist Statement
My artistic journey is deeply rooted in Abstract Expressionism, a style characterised by spontaneous, emotional and unbridled forms of expression. The works of pioneers such as Mark Rothko and Willem de Kooning, as well as artists like Cy Twombly and Georg Baselitz, have significantly shaped my understanding and appreciation of the raw, immediate power of colour and form.
In my paintings, I strive to explore the boundaries of visual language and to convey the emotions and thoughts that move me onto the canvas. Abstract Expressionism offers me the freedom to express myself beyond traditional forms and conventions. This style allows me to experiment with colours, textures and compositions to create a deep and often intuitive resonance.
For me, every canvas is a slaughtering block upon which I come to terms with inner conflicts, feelings and thoughts. The movement of the brush, the flow of paint and the bold gestures reflect the intensity and spontaneity that lie at the heart of my work. The factor of time plays a very intimate role in the creative process: For me, the flow of paint and the resulting emergence of the image represent the passing of the states of my inner life as they are immediately experienced. This process is ultimately concealed from the viewer – the viewer is presented only with the outcome of my process. Through this unfiltered form of artistic expression, I strive to draw viewers into a world of emotion that is as subjective and multi-layered as human experience itself.
Abstract Expressionism has provided me not only with a stylistic framework, but also with a philosophical foundation. It reminds me that art should not merely be viewed, but experienced – it should create a direct and often personal connection between the work and the viewer.
Exhibitions (selection):
2015 Polish Institute Platan / Latarka Gallery (Budapest)
2015 Salon Kennedy (Frankfurt)
2015 Kunstverein Wiesbaden (Wiesbaden)
2016 Catholic Academy Munich (Munich)
2017 Lothringer 13 (Munich)
2017 Art Homes (Munich)
2018 Kunstarkaden (Munich)
2018 Haus 10 (Fürstenfeldbruck)
2023 Kunstarkaden (Munich)
2024 Kunstpavillon (Munich)
