WUSE-Fenster
| Height | 60 cm |
|---|---|
| Width | 50 cm |
| Length/Depth | 2 cm |
One-off piece, exclusive original.
Material: Acrylic on canvas
Description:
This work is part of the WUSE series (Five Colours), a series in which the entire composition consists of just five colours. Here, the illusion of a window half-submerged in the sea is created, whilst the silhouette of a mountain stretches out in the background. The scene is reminiscent of a sunset or a landscape at twilight – an image that appears less abstract and exudes a tranquil, meditative atmosphere.
The background is flat and tranquil, whilst the frame has been painted with bold brushstrokes. Half of the frame is submerged in the sea and appears to merge visually with the water. Yet it remains recognisable thanks to the visible brushstrokes – a balance between disappearance and existence, between dissolution and identity.
The WUSE series explores the relationships between colour, form and space. Paradoxically, limiting the palette to five colours opens up a wealth of possibilities: each colour can be an object, an emotion, a memory. ‘Fenster’ reflects the interplay between boundary and passage – is a window a view or a barrier? The work remains open to interpretation and invites the viewer to find their own perspective within it.
Concept & Distinctive Feature:
✔ Part of the WUSE series – a series that plays with just five colours yet creates multifaceted visual worlds.
✔ Tactile contrasts – smooth surfaces meet dense, impasto brushstrokes.
✔ Symbolism of boundaries – the window as a boundary between inside and outside, reality and imagination.
✔ Tension between stability and dissolution – a solid frame that seems to dissolve into the sea.
Guoqiang Wu
Education:,
2016–2017 Academy of Arts (ASK) Berlin, Course: Fine Art – Painting,
2017–2021 Essen University of Fine Arts under Prof. Nicola Stäglich, Course:
Painting
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Printmaking Artist’s Statement :
My art springs from my innermost consciousness. Through my works, I wish to express my most primal thoughts and thereby make visible my existence as a thinking being in this world.
Over time, experiences, encounters and emotions accumulate, causing my works to reflect various moods. Yet despite all these changes, my fundamental way of thinking remains unchanged. During my early years at university, my works were often chaotic – to some, this may have appeared to be an unstructured or immature technique. Yet for me, it was a natural process of growth, an honest portrayal of life. Over time, my works became more minimalist, clearer and more three-dimensional. I did not consciously steer this development – it simply manifested itself in my art. This style continues to characterise my work to this day: clear geometry, strong colour contrasts and deliberate reduction. Large monochrome areas combined with fine lines or multiple blocks of colour create a sharp, almost cutting effect. This clarity and directness reflect my mindset at the time – no compromises, no detours.
Today, I yearn for purity, clarity and directness.
A defining theme in my art is my childhood. I grew up in a Chinese village whilst my parents worked in the city to make ends meet. My grandparents brought me up. The longing for my parents made me emotionally sensitive – I dreamt of seeing them again. This profound emotional experience has found its way into my works, for it is part of my most personal perception of reality.
Later, I worked in a warehouse in Germany for seven years – a long time during which I did not pick up a paintbrush. This phase was formative and difficult for me, yet it is part of my life. In early 2025, I consciously brought this chapter of my life to a close by handing in my notice. Perhaps this experience, too, will one day become a new artistic theme.
Whatever the theme, technique or material – I remain true to my original ideas. My art is not staged, but an honest reflection of the world from the perspective of an ordinary person.
Exhibitions:,
2019.
“Vor Ort” – Students and lecturers from the HBK Essen, Maschinenhalle in Dorsten,
2020.
9. Revierkunst, Zeche Ewald Herten.
HBK Essen 2020 School Scholarship Nomination
Other artworks by the artist
