o.T.
| Height | 2 cm |
|---|---|
| Width | 90 cm |
| Length/Depth | 130 cm |
Material/ Technik: Monolithografiedruck, Lack und Acryl auf Leinwand
Entstehungsjahr: 2022
Das gedruckte Motiv stammt von einem analogen Foto aus der eigenen privaten Sammlung. Durch den mit dunkelblauer, fast schwarzer Acrylfarbe zensierten Hintergrund, wird die gegebene Form auf dem urspünglichen Foto hervorgehoben und mit einem kontrastreichen, glänzenden Orange verdoppelt. Es ist das erste großformatige Werk in meiner Sammlung gewesen.
*Die Arbeit ist auf Keilrahmen gezogen und wird dementsprechend sowie signiert verkauft und versandt.
Luzie Pheiffer
EXHIBITION OVERVIEW
2023 “in between – Photography & Painting”, at the Kulturbahnhof Kreuztal, Siegen
2023 Tour organised by the Department of Art at the University of Siegen
2023 Transform at the Kunstverein Siegen, in cooperation with the University of Siegen
2022 Zwischenraum – Photography and Painting, Konventsaal at Stift Keppel in Siegen, as part of the Siegen Art Summer
2022 Tour of the Art Department at the University of Siegen
2021 POOOLmag, digital exhibition by the group 3/55 e.V.
2020 Brauhausfotografie29 (digital) in collaboration with the University of Siegen
2019 Of The Wall in the Herrengarten, Siegen, in collaboration with the University of Siegen
2019 display and unfold, Haus Seel municipal gallery, Siegen, in collaboration with the University of Siegen
Information about myself and my work
My name is Luzie Pheiffer, I am 30 years old and completed my Master’s degree, specialising in Art, at the University of Siegen at the end of March 2024.
My artistic work combines the fields of photography, printmaking and painting. My analogue photographs serve as a point of reference for composing the images and as a starting point for further processing the works through printmaking and painting techniques using acrylic and lacquer paints. The works undergo a multi-layered process and are increasingly transformed, deformed, altered, abstracted and censored: Prints from the darkroom can be scanned and digitally altered; these are printed out and then produced as unique pieces using the monolithography process, during which unpredictable events often occur, which in turn have great significance for the subsequent painterly treatment. This ‘coincidence’ gives rise to supposed ‘errors’, which, for example, are pictorially staged/ emphasised/ multiplied/…
The subjects of my photographs are intuitive moments from everyday life and my surroundings, which at first glance appear rather mundane. Through the camera’s limited frame and, ultimately, the limited image area of the photograph, a subjective value is attributed to them. Another motif is the interplay of light and shadow, which is characterised in particular by strong contrast and forms a network of abstract shapes, which are ultimately taken up and utilised individually on a painterly level.
