Ein Hauch von Weite
| Edition | Original Art |
|---|---|
| Sujet | Landscape |
| Technique | Painting |
| Height | 60 cm |
| Width | 60 cm |
| Length/Depth | 2 cm |
A hint of vastness is enough to quiet the mind.
The gaze opens out onto a distance that appears light and serene. The areas of colour merge with the brushstrokes to create a fleeting mood that seems both ephemeral and clear. The sky spreads gently over the landscape, without pressure, without heaviness.
It is precisely this lightness that silences one’s thoughts. The forms are simplified; nothing pushes itself into the foreground or demands attention. Instead, a moment arises in which vastness itself speaks.
In this way, the painting reminds us that sometimes it does not take much to find peace. A hint of vastness is enough to quiet the mind.
Material / Technique:
Acrylic on canvas in a shadow-joint frame. The landscape is painted with high-quality acrylic paints. The original painting is sealed with a UV-protective varnish from Winsor & Newton and is signed on the front and back.
Frame:
The shadow-joint frame is included with purchase. This frame does not contain a glass pane. The painting is screwed into the frame at the back. The distinctive feature of a shadow-joint frame is the visible gap between the stretcher and the outer frame: this draws the viewer’s attention to the subject. The shadow-joint frame is made of natural wood. There is a sawtooth hanger on the back.
External dimensions of the frame: 63 cm x 63 cm
Depth of the frame: 3.6 cm
Shipping:
The artwork is shipped stretched on a stretcher frame – including a certificate of authenticity, the frame and the artist’s signature on the front and back.
Melissa Faltermeier
of
Regensburg. It was there that I discovered my love of landscape painting. In particular, during the painting excursions I regularly took part in, I developed a deep connection with nature and a passion for the diversity of colours that we often fail to notice in everyday life. I often lose myself in the many facets of nature and observe it with a discerning eye.
In my works, which are predominantly created using acrylic paint, I aim to highlight and exaggerate the variety of colours that can be discovered in nature upon close observation. In doing so, I alter the colours and consciously transform them to create unique atmospheres of colour and light. Despite these alterations, it is of great importance to me to keep
the forms true to what can be observed and to nature
. Through the manipulation of colours, I often succeed in creating mystical, dark, stormy and dynamic colour schemes. My choice of tranquil subjects, such as solitary trees or distant cloudscapes, harmonises perfectly with a dynamic choice and application of colour. As a result, my landscapes are both serene and dynamic and wild. They are characterised by contrasts between light and dark, between gloom and vibrant colours.
Through my unique colour and light atmospheres, my distortions of reality and my constant artistic development, I set myself apart from other landscape painters. My works offer the viewer a special artistic experience, immersing them in a world full of unique moods and sensations.
- 2025 Participation in the art workshop at the Ostbayernschau
- in
- Straubing
- 2024 Art Meets Church: Between Abstraction and Longing.
- 2024: Participated in the art workshop at the Ostbayernschau Straubing.
- 2023: Received the Sparda-Bank Amberg
- 2022 and 2023 Participation in the art workshop at the Ostbayernschau Straubing
- 2022 Solo exhibition ‘Light and Shadow’ at the Angermühle Clinic2020
- Group exhibition at AVL Regensburg ‘Little Happiness’ as part of a project with the University of Regensburg
- 2019 Group exhibition at AVL Regensburg, ‘Artificial Intelligence’, as part of a project with the University of Regensburg
- 2019 Sculpture exhibition in Stadtbergen
Other artworks by the artist
