Echo der Malerei
| Edition | Original Art |
|---|---|
| Sujet | Narrative Art |
| Technique | Assemblage |
| Height | 56.6 cm |
| Width | 40 cm |
| Length/Depth | 4 cm |
40 x 56.6
Acrylic paint on wood on a wooden frame
2015
The work *Echo of Painting* subtly combines material, texture and meaning. It is based on a section of a newspaper page transferred onto a wooden board – a technique that brings the structure and fragments of the printed medium onto the picture surface. However, rather than leaving the newspaper visible as such, it is largely painted over with various muted shades of oil paint.
Only in a few places can the newspaper’s original function still be vaguely discerned. The information content is almost completely obliterated; headlines and images disappear beneath thick layers of oil paint. Amidst these layers, however, a single word stands out clearly: ‘Malen’.
This deliberately left-exposed word becomes the centrepiece of the work. It not only refers to the visible action, but also opens up a meta-level: painting itself is both the subject and the medium of expression. Colour replaces information; intuition replaces narration. The newspaper’s original message becomes the silent backdrop for a new, purely artistic expression.
The muted tones of the oil paint create a calm, contemplative atmosphere in which the transience of information and the constant urge towards creative reimagining are equally palpable. ‘Echo of Painting’ is thus not merely an aesthetic work, but also a quiet, poetic reflection on the power of painting to shift meanings, to overlay the past and to make the new visible.
Konstantin Lischkoff-Knecht
Mr Knecht studied Fine Art at the Academy of Fine Arts in Munich from 2012 to 2020, under Günther Förg and Jorinde Voigt.
Knecht also took part in Anne Imhof’s project class and engaged in lively exchanges with various lecturers and students at the Academy.
Artist Statement
My artistic journey is deeply rooted in Abstract Expressionism, a style characterised by spontaneous, emotional and unbridled forms of expression. The works of pioneers such as Mark Rothko and Willem de Kooning, as well as artists like Cy Twombly and Georg Baselitz, have significantly shaped my understanding and appreciation of the raw, immediate power of colour and form.
In my paintings, I strive to explore the boundaries of visual language and to convey the emotions and thoughts that move me onto the canvas. Abstract Expressionism offers me the freedom to express myself beyond traditional forms and conventions. This style allows me to experiment with colours, textures and compositions to create a deep and often intuitive resonance.
For me, every canvas is a slaughtering block upon which I come to terms with inner conflicts, feelings and thoughts. The movement of the brush, the flow of paint and the bold gestures reflect the intensity and spontaneity that lie at the heart of my work. The factor of time plays a very intimate role in the creative process: For me, the flow of paint and the resulting emergence of the image represent the passing of the states of my inner life as they are immediately experienced. This process is ultimately concealed from the viewer – the viewer is presented only with the outcome of my process. Through this unfiltered form of artistic expression, I strive to draw viewers into a world of emotion that is as subjective and multi-layered as human experience itself.
Abstract Expressionism has provided me not only with a stylistic framework, but also with a philosophical foundation. It reminds me that art should not merely be viewed, but experienced – it should create a direct and often personal connection between the work and the viewer.
Exhibitions (selection):
2015 Polish Institute Platan / Latarka Gallery (Budapest)
2015 Salon Kennedy (Frankfurt)
2015 Kunstverein Wiesbaden (Wiesbaden)
2016 Catholic Academy Munich (Munich)
2017 Lothringer 13 (Munich)
2017 Art Homes (Munich)
2018 Kunstarkaden (Munich)
2018 Haus 10 (Fürstenfeldbruck)
2023 Kunstarkaden (Munich)
2024 Kunstpavillon (Munich)
